Erica Cirino is a writer, artist and wildlife rehabilitator who explores the intersection of the human and nonhuman worlds. Her work is focused on the human connection to nature–wild creatures in particular–and human impact on planet Earth.
As a writer, Erica covers stories about wildlife and the environment, most often related to biology, conservation and policy. Her stories appear in Scientific American, VICE, Ars Technica, Audubon, The Atlantic, New Scientist, The Revelator, Hakai Magazine, Oceans Deeply, Proto and other popular science publications.
As an artist, Erica creates works that conjure human emotions toward the nonhuman world. She is an award-winning photographer and mixed-media creator who combines her artistic finesse with her knowledge of wildlife physiology and ecology to devise striking, thoughtful works focused on wild beings and landscapes.
Currently, Erica is focused on covering stories about the global plastic pollution crisis—from documenting plastic in different ecosystems, to investigating the latest science measuring the extent of the issue, to new solutions that could prevent further ecological destruction and harm to wildlife. Her work covering the story of plastic pollution has taken her sailing twice across the Pacific, in Danish waters, and around Iceland; to Southeast Asia, across the U.S. and Western Europe; the Caribbean; Polynesia and beyond. Erica gives lectures about her experiences reporting these stories in the field around the world.
One of Erica’s major creative inspirations is her role as a licensed wildlife rehabilitator who has spent many years in the clinical setting. Over the past 11+ years, Erica has helped treat thousands of sick, orphaned and injured wild animals for their eventual release into the wild. She specializes in treating birds of prey, such as hawks, owls and falcons.
Through her writing, art and wildlife rehabilitation work, Erica hopes to foster human care, conversation and, perhaps, kinship with the nonhuman world.